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Sexualité --- Films érotiques --- Sex in motion pictures. --- Erotic films --- Au cinéma --- Histoire et critique --- History and criticism. --- History and criticism --- Au cinéma. --- Histoire et critique. --- Sexology --- Film --- anno 1900-1999 --- United States --- United States of America --- Movies --- Sexuality --- Book --- Imaging
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De Nederlandse schrijfster Maria Dermoût werd in 1888 geboren op Midden-Java. In 1933 verliet zij het voormalige Nederlands-Indië en vestigde zich in Nederland, waar zij tot aan haar dood leefde en werkte. Na haar repatriëring keerde zij nooit terug naar 'Indië', het latere Indonesië. Toch bleef haar werk doordrenkt van de sfeer van haar geboorteland, net omdat het ontstond vanuit een gevoel van ontheemding. De lotgevallen van in Nederlands-Indië geboren en/of verblijvende Nederlanders , vormden het centrale thema van haar oeuvre. Met haar boek 'De tienduizend dingen' leverde zij één van de hoogtepunten van de Nederlands-Indische en Nederlandse literatuur af. In 1958 en de daaropvolgende jaren verschenen wereldwijd vertalingen en het boek voerde wekenlang de bestsellerlijsten aan in Amerika. Kester Freriks reisde voor deze biografie door het hedendaagse Indonesië op zoek naar sporen van het leven en het werk van Maria Dermoût. Hij kon tijdens het bijeensprokkelen van biografische gegevens de hand leggen op nooit eerder gebruikte documenten, waaronder het dagboek dat de schrijfster de laatste jaren van haar leven bijhield.
Dermoût, Maria --- Netherlands --- Indonesia --- Authors, Dutch --- Dutch --- DERMOUT (MARIA), 1888-1962 --- LITTERATURE INDONESIENNE DE LANGUE NEERLANDAISE --- HISTOIRE ET CRITIQUE --- Writers --- Biography --- Book
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wereldmuziek --- muziekgeschiedenis --- vrouwen --- Music --- jazz --- Women musicians --- Women composers --- Musiciennes --- Compositrices --- Musique --- History and criticism --- Histoire et critique --- History --- International --- Musicians --- Biographical details --- Book
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Thematology --- French literature --- anno 1600-1699 --- Précieuses --- Women --- Women authors, French --- Femmes --- Ecrivaines françaises --- History --- Histoire --- Women in literature --- Precieuses --- History and criticism --- Femmes et littérature --- Littérature française --- Dans la littérature --- Histoire et critique --- Molière --- Précieuses --- Ecrivaines françaises --- Sociology of culture --- France --- Histoire et critique. --- Précieuses. --- Dans la littérature. --- Molière, --- French literature - 17th century - History and criticism --- Literature --- Comparative literature --- Intellectuals --- Book
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Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be "represented" accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.
Women authors, American. --- Feminism in literature. --- Aesthetics in literature. --- American literature --- Literature --- Literature, Experimental --- History and criticism. --- Women authors --- Littérature --- Féminisme --- Esthétique --- Littérature américaine --- Littérature expérimentale --- Femmes écrivains --- Histoire et critique --- Dans la littérature --- Histoire et critique. --- Littérature expérimentale. --- Dans la littérature. --- Feminism --- Feminist criticism --- Writers --- Book
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Productrices de cinéma --- Feminism and motion pictures --- Women motion picture producers and directors --- Deren, Maya, --- Clarke, Shirley, --- Wieland, Joyce, --- Deren, Maya. --- Clarke, Shirley. --- Wieland, Joyce --- Clarke, Shirley --- Films expérimentaux --- Féminisme et cinéma --- Experimental films --- Histoire et critique --- History and criticism. --- History --- Film --- Deren, Maya --- anno 1900-1999 --- United States --- Histoire et critique. --- United States of America --- Movie review --- Movies --- Film directors --- Book
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Mères et enfants --- Familles noires américaines --- Roman familial américain --- Dans la littérature --- Histoire et critique --- Morrison, Toni, --- Personnages --- Pensée politique et sociale --- Fiction --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Morrison, Toni --- Dans la littérature. --- Histoire et critique. --- Personnages. --- Pensée politique et sociale. --- Literature --- Motherhood --- Theory --- Women --- Blackness --- Book
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muziek --- componisten --- Musicians --- Componisten [Vrouwelijke ] --- Composers [Women ] --- Femmes compositeurs --- Vrouwelijke componisten --- Vrouwen als componisten --- Women as composers --- Women composers --- Women composers. --- Music --- Women musicians --- Compositrices --- Musique --- Musiciennes --- History and criticism --- Histoire et critique --- History --- International --- Reference work --- Book
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English literature --- Literature --- Littérature anglaise --- Ecrits de femmes --- Women authors --- History and criticism --- Periodicals. --- Femmes écrivains --- Histoire et critique --- Périodiques --- Arts and Humanities. --- General and Others --- History --- Society and Culture. --- Arts and Humanities --- Society and Culture
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This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century. The chapters explore the historical and theatrical contexts in which women have written for the theatre and examine the work of individual playwrights. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters which raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on non-mainstream writing, including black and lesbian performance. Each section is introduced by the editors, who provide a narrative overview of a century of women's drama and a thorough chronology of playwriting, set in political context. The collection includes essays on the individual writers Caryl Churchill, Sarah Daniels, Pam Gems and Timberlake Wertenbaker as well as extensive documentation of contemporary playwriting in Wales, Scotland and Northern Ireland, including figures such as Liz Lochhead and Anne Devlin.
English literature --- Drama --- anno 1900-1999 --- English drama --- Feminism and literature --- Women and literature --- Women authors --- History and criticism. --- History --- Femmes et littérature --- Théâtre anglais --- Histoire --- Femmes écrivains --- Histoire et critique --- Great Britain --- History and criticism --- 20th century --- English --- English Literature --- Languages & Literatures --- THEATRE (GENRE LITTERAIRE) ANGLAIS --- FEMINISME ET LITTERATURE --- FEMMES ET LITTERATURE --- FEMMES ECRIVAINS --- HISTOIRE ET CRITIQUE --- GRANDE-BRETAGNE --- 20E SIECLE --- Feminism --- Writers --- Theatre --- Book
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